Scattered thoughts on Étoile

Jun. 24th, 2025 04:55 pm
regshoe: Cheyenne from Étoile, making a silly face and holding her hands up above her head in imitation of a dolphin (Dolphin)
[personal profile] regshoe
There is podfic! I highly recommend both this and the original story :D

[Podfic] Folie à deux (29 words) by DevilWithABirdDress
Chapters: 1/1
Fandom: Étoile (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Tobias Bell & Cheyenne Toussaint
Characters: Cheyenne Toussaint, Tobias Bell, Jack McMillan
Additional Tags: two geniuses equals more ulcers for jack, he doesn't deserve this but it IS funny, if i don't get more cheyenne and tobias interacting in season 2 i am going to be so sad, Podfic, Podfic Length: 10-20 Minutes, Audio Format: MP3, Audio Format: Streaming
Summary:

Who decided that letting Cheyenne and Tobias in the same room was a good idea?

Podfic of Folie à deux by Lirazel.



I'm seven-eighths of the way through rewatching, and I've been thinking about important things like the timeline and how to pronounce people's names:

Various thoughts )

OTW Signal, June 2025

Jun. 24th, 2025 09:35 am
[syndicated profile] otw_news_feed

Posted by callmeri

Every month in OTW Signal, we take a look at stories that connect to the OTW’s mission and projects, including issues related to legal matters, technology, academia, fannish history and preservation issues of fandom, fan culture, and transformative works.

In the News

The Conversation’s article “The lore of ‘lore'” explores how fandom fueled the reinvention of a 1,000-year-old word:

Now essential online slang, [“lore”] can be traced back to Old English, where it referred primarily to learning, as in the act of teaching or being taught. Over time, lore came to be associated with more informal knowledge, passed on through word of mouth … [but then it] largely slipped out of common usage … So, how did “lore” come to hold such contemporary relevance?

“Lore” still carries shades of its original meaning, but just as fans expand and transform canon, modern usage reimagines it. Oxford University Press—which shortlisted “lore” for their 2024 word of the year—explains:

In recent years, people have been using “lore” in different ways and in new contexts. For example, they might now talk about the lore surrounding a particular celebrity, or a character in a book or film, or even refer to their own personal history as their lore. Online cultures and social media have seen the emergence of new kinds of celebrities and highly-engaged fandoms, and the word has been applied much more widely.

From its popularity in K-pop to the semi-eponymous Fanlore, the rise of “lore” is a great example of how fans build cultural meaning through shared language and creative reinterpretation.


The Geekiary’s article on fandom holidays speaks on how fans mark time within their communities. Be it May the Fourth (Star Wars Day) or Destiel’s confession anniversary, fandom holidays are not an uncommon phenomenon. Some humorous, some profound, these unofficial yet widely beloved holidays are often tied to moments from canon (such as a character’s birthday or an in-universe event) and serve to foster community building.
These observances turn the ordinary calendar into a timeline of shared emotion and meaning. As an act of tradition, they become ritual anchors that give structure to the fan’s calendar, offering a sense of comfort and familiarity in an ever-changing world. The article notes how this act of building new traditions and creating opportunities for community bonding forges a sense of cultural memory for fans.

In her book Rogue Archives: Digital Cultural Memory and Media Fandom, Abigail De Kosnik describes how “Memory has gone rogue in the sense that it has come loose from its fixed place in the production cycle. It now may be found anywhere, or everywhere, in the chain of making”. Celebrating holidays online or by digitizing photographs/experiences allows these memories to be accessed later on, rather than be fixed to just a specific person or place. It lets our fandoms live outside of us as individuals.

Like lore, fandom holidays demonstrate how participation itself becomes a form of authorship—each contribution adding another thread to the tapestry.

OTW Tips

Fandom is global, and many amazing fanworks are written, drawn, or subtitled in languages other than one’s own. Whether you’re tagging fanfiction in your native language or collaborating with international fans, your efforts enrich fandom’s diversity and inclusivity.
The OTW is recruiting for Tag Wrangling Volunteers (Russian), Internal Complaint and Conflict Resolution Volunteers, and Support Volunteers (Chinese).
Consider volunteering for one of the OTW’s teams to support and celebrate global fan participation!


We want your suggestions for the next OTW Signal post! If you know of an essay, video, article, podcast, or news story you think we should know about, send us a link. We are looking for content in all languages! Submitting a link doesn’t guarantee that it will be included in an OTW post, and inclusion of a link doesn’t mean that it is endorsed by the OTW.

Anxiety

Jun. 23rd, 2025 07:21 pm
yourlibrarian: Chani and Paul (OTH-Chani and Paul - myrmidon.png)
[personal profile] yourlibrarian
1) I've been seeing a lot more posting on [community profile] common_nature, very encouraging! Have added the first of my waterfall photos there, of Latourelle Falls.

2) Looks like there is a spammer at work on Squidgeworld. I got 3 comments to different posts within a few hours today, two with outright solicitations for commissions.

3) Saw Dune 2, and thought it was ok. It's almost as if the movie was made to be the direct opposite of David Lynch's version in casting and tone as well as visuals. Read more... )

4) Finally saw the Barbie movie as well. I can see why it did well. Given its remit and likely limitations, I thought it did a good job. It had a clear direction, and it did it well and with both humor and heart. I also quite enjoyed its ending. That said, I think the film itself opened the door to a more incisive critique which it didn't follow. Read more... )

5) This past month is turning out to be an expensive one. My partner's sister had a roof leak in her spare bedroom, which went on long enough that it damaged the bed underneath it before she noticed. Since this was where my partner stays when he visits his family, a replacement was needed. So we decided to move his current bed there and get a new one. Read more... )

Poll #33282 Kudos Footer-528
This poll is anonymous.
Open to: Registered Users, detailed results viewable to: All, participants: 7

Want to leave a Kudos?

View Answers

Kudos!
7 (100.0%)



pauraque: bird flying over the trans flag (trans pride)
[personal profile] pauraque
Flashing forward 75 years from The Autobiography of an Androgyne...

Stone Butch Blues is an autobiographical novel following Jess Goldberg, a queer working-class Jewish kid from upstate New York. It covers her 1950s childhood in which she is punished and rejected by her parents for not conforming to gender norms, her coming-of-age and finding a place as a butch in the lesbian community despite relentless police brutality, her decision to pursue medical transition, her partial detransition when she realizes she's neither a man nor a woman, her loves and losses, and her political awakening as a union organizer.

So, I came out as trans in the late 1990s, and two questions I soon grew to hate hearing were "Have you seen Boys Don't Cry?" and "Have you read Stone Butch Blues?" No, I hadn't, because I was already having a difficult time and I did not think I would find it helpful to consume media about people like me being raped and murdered, thanks. Well, I still haven't seen Boys Don't Cry (not planning to!) but now I have read Stone Butch Blues and I think I was right that reading it back then wouldn't have helped, except in that it would have given me more context for what some of the older people in the queer community had been through and why some of them treated me the way they did.

Cut for length and content: hate crimes (in the book) and in-community hostility towards nonbinary people (in my own life). This post is more about me than about the book. )

Stone Butch Blues is available for free on Feinberg's website.

June Theme - Nooks & Crannies

Jun. 23rd, 2025 11:03 am
peaceful_sands: butterfly (Default)
[personal profile] peaceful_sands posting in [community profile] bitesizedcleaning
It's the last week of June, so our last week of working on those forgotten spaces in our homes, whether we're cleaning or decluttering. Over the last few weeks, we've spent time in the bedroom, main living space and kitchen, so what do you have left to do? Is there a cupboard in a hallway or a garden shed or garage/attic space that would benefit from your efforts? Or is there a bit more needed in one of the spaces that you worked on earlier in the month?

How has the month gone so far, are you feeling like progress was made and was it useful?

We look forward to hearing how things have gone.

Catching Up

Jun. 22nd, 2025 09:37 pm
fennectik: Anime (Anime)
[personal profile] fennectik posting in [community profile] anime_manga
Finished Grimoire of Zero which stars a very cute little witch in it. It was an enjoyable 12 episode watch.

Trying to finish Season 7 of My Hero Academia which I just started. I see there's the spinoff "Vigilantes" after it. Might try it out.

Another series I started watching after reading a Manga volume of it is Magical Girl Spec Ops Asuka, which is just sheer fanservice with skimpy outfits and a magnitude of bloodiness.

How can Anime girls with such humongous bust size able to be that acrobatic? 🤔

Also trying to finish any other series I started years go in hopes to fill up my Lists I got online. If I can scratch that off my bucket list then at least I've accomplished something in my life.

By the way, had also watched an Anime OAV called Elf 17 which is floating around on youtube. I recommend it.

Patlabor is still one of my top favorites comfort Anime that I have enjoyed
[syndicated profile] otw_news_feed

Posted by Caitlynne

Candidates Announcement

The Organization for Transformative Works is pleased to announce the following candidates for the 2025 Election (in alphabetical order by given name):

  • C. Ryan S.
  • Elizabeth W.
  • Harlan L.B.

Because we have 2 seats to be filled and 3 candidates, the 2025 election will be contested – that is, the members of the OTW will vote on which candidates fill the seats.

The Elections Committee is excited to introduce the candidates to all of the members of the OTW! Included in this post are links to short Bios and Platforms written by the candidates. This post also marks the beginning of our Q&A period, during which we invite the public to submit questions for the candidates. Additionally, we will be holding a series of live chats – dates and times for those are to be announced based on candidate availability. Information on the voting period and how to vote will also be posted shortly.

In the meantime, there is a timeline of Elections events available here for your reference. Read on to learn more about our candidates and how you can submit questions for them!

Platforms and Bios

We asked each candidate to provide us with a Bio that sums up their professional and fannish experience, as well as to write a Platform about their goals for their term on the Board by answering the following questions:

  • Why did you decide to run for election to the Board?
  • What skills and/or experience would you bring to the Board?
  • Choose one or two goals for the OTW that are important to you and that you would be interested in working on during your term. Why do you value these goals? How would you work with others to achieve them?
  • What is your experience with the OTW’s projects and how would you collaborate with the relevant committees to support and strengthen them? Try to include a range of projects, though feel free to emphasize particular ones you have experience with.
  • How would you balance your Board work with other roles in the OTW, or how do you plan to hand over your current roles to focus on Board work?

You can read both the candidates’ answers to these questions and their bios by following the links below.

Question & Answer (Q&A)

To better accommodate the time constraints of the election and the workload for candidates, we are asking voters to limit to one question per message. Additional questions in the same message will be discarded. Limit of three questions per person.

Anyone may submit questions via the Elections form. Please submit all questions by 11:59pm UTC on June 29 (what time is that where I live?). All candidates will answer each question submitted, subject to the following restrictions:

  • Questions must be a maximum of 50 words long.
  • Any submitted questions repeating what is already addressed on Platforms will be ignored. This is to allow candidates to dedicate more time to answering new questions.
  • Similar questions will be grouped together to avoid candidates giving repetitive answers. Elections volunteers will decide which questions are similar enough to group.
  • If you have a follow-up to a Platform question, please specifically mention it is a follow-up so Elections volunteers know not to treat it as a repeat.
  • One question per message. Additional questions in the same message will be discarded.
  • Maximum of three questions per person.

The posting date for answers will be chosen depending on the number of questions received. Posts will be spread out, arranged by topic, to make it easier for voters to read all the answers.

Discussion : Michael Moorcock

Jun. 22nd, 2025 10:08 am
drawnecromancy: (Default)
[personal profile] drawnecromancy posting in [community profile] booknook

I've discovered this author through my parents, who'd read several of his books while they were in their 20s in university - specifically the Elric and the Hawkmoon series. Of course I got curious, because my parents enjoyed those books, and despite their warning that it "probably does not hold up in 2025", I've read all of Hawkmoon (or at least, all the french translations my mom had).

It wasn't... great. Sometimes it was really really bad (the orientalism at times is... something.). But it was also really entertaining and funny. There seems to be between 2 and 50 plot points per book, which are all 200 pages or less, and Hawkmoon's chief motivation is "I want to go home to kiss my wife" which is a mood, honestly. The whole "Eternal Champion" thing in the last 3 books was a bit... not to my tastes, although there were some very fun passages of it. Overall you can tell it's old and that you could just say words back then. I wouldn't recommend this series exactly, but it's pretty fascinating. I'm considering getting my hands on Elric at some point just to see if it's the same kind of batshit.

Have you ever read a book from Michael Moorcock ? If so, what did you think ? Would you have anything to recommend ?

I'll say my favorite part of the Hawkmoon books are the giant pink flamingos from Kamarg, that are used as mounts, including during war. It is really cool to picture guys flying to combat on flamingos of all things.

[syndicated profile] otw_news_feed

Posted by xeno

The Policy & Abuse committee (PAC) is responsible for enforcing the AO3 Terms of Service (TOS). To help users better understand the TOS, we’re posting a weekly spotlight series about the TOS and our policies. We’ll also be reading comments and answering questions on this and our other spotlight posts.


In today’s post, we’ll discuss two categories of TOS violations that have a lot of overlap: plagiarism and copyright infringement.

Don’t go looking for things to report.

Please do not start searching for plagiarized or infringing works to report after reading this post. We know that plagiarism and copyright infringement can happen on AO3, as on any site. However, when people deliberately search for works to report, we end up getting a lot of duplicate tickets about works that have already been reported. Every ticket we receive is reviewed by a PAC volunteer, so we only need one report in order to investigate an issue. We know it seems like sites only respond to mass reports, but on AO3, duplicate and mass reports increase the time it takes our volunteers to investigate.

AO3 is for transformative fanworks

AO3 is an archive for fanfiction and other transformative fanworks. Transforming a work means that you are adding a new expression, different purpose, or alternate perspective to the source work. A transformative fanwork doesn’t copy the original source; instead, it uses the characters, setting, or other inspiration from an existing work to make a new, distinct creative work.

Transformative fanworks can be posted without requiring permission from the creator of the original work. When considering whether a work is transformative, we apply the same standards to fanworks as to professional works. This means that a fanwork based on another fanwork is allowed, just as much as a fanwork of a professionally published novel is. You are allowed to write a story or create fanart about someone else’s original character, or to use the same general ideas, tropes, or story structures as someone else. Two works can share the same premise, setting, and plot while still being transformative.

However, replacing names, swapping out words for their synonyms, or making other superficial changes to the source work is not considered transformative. A transformative work needs to have a large amount of creative expression that is original to you.

Plagiarism vs copyright infringement

Plagiarism occurs when a person reproduces large portions of someone else’s work or very heavily bases their work on another without adequately transforming it, and doesn’t credit the source. This lack of credit makes it appear as though the copied work is entirely their own original, unique idea and expression.

To avoid potential issues of plagiarism, you can cite your source by linking back to the original, for example by using AO3’s Inspired By feature. However, just because you provided credit doesn’t mean you’re automatically okay: your work may still be in violation of our other policies, such as copyright infringement.

Copyright infringement occurs when a work reproduces large portions of a different work, whether verbatim or with very little alteration (i.e. not in a transformative manner), without the authorization of the copyright owner. Even if you credit the source, reproducing too much of someone else’s content is still a violation of their copyright unless you have the copyright owner’s explicit permission.

Permission is not required for short quotations. Use a limited amount that’s reasonable for your purpose, such as:

  • 2-3 lines of lyrics per song
  • 2-3 lines of text per short chapter of a novel
  • 10 minutes of screentime per TV episode or movie

If you want to include longer excerpts, you will need the copyright owner’s permission. This applies regardless of whether the original work is a fanwork or published professionally.

Permission to reuse fanworks

Some fan creators will give other people permission to reproduce larger portions of their works than would ordinarily be permitted by copyright laws alone. They may do this by granting blanket permissions for particular uses (for example, “Anyone can translate or podfic my work, but I don’t allow reposts or nameswaps”) or by applying an official license (such as Creative Commons) to the work, which grants various permissions based on terms specific to the exact license.

If permission to reproduce the work is accompanied by specific terms, then you must follow those terms. For example, a creator may say, “You can translate my fic so long as you link back to the original.” In that case, if you post your translation without providing a link, you’re violating our policies. In order for your translation to be allowed, you would need to include the link as requested.

Common types of infringement

Unauthorized reposts

If you want to upload someone else’s work to AO3, you need to have their permission. It doesn’t matter how difficult it might be to contact them: even if the original creator posted their work a decade ago and then vanished from the internet, they still have copyright over their own work.

If you can’t get permission but you still want to save or share somebody else’s fanwork from another site, you can create an external bookmark that links to the work on that site, and add tags and notes to your bookmark so that other AO3 users can also find and enjoy the work.

Minor edits and adaptations

Making minor changes to a work doesn’t make the work original to you. If you’ve only changed the characters’ names and/or pronouns, or corrected the original author’s grammar or formatting, that isn’t transformative. You’ll need the creator’s permission to adapt their work like this and post it to AO3.

Too many quotes: transcripts and “character reaction” works

Transcripts (whether of TV episodes, movies, plays, video games, etc.) are protected by copyright. You cannot repost canon material on AO3, as this is typically a violation of our copyright infringement and/or non-fanwork policies.

If you’re creating a fanwork where the characters are reacting to another piece of media (such as by reading or watching the book, show, or movie that they were originally from), then that is allowed if and only if you don’t include too many quotes from the original source. Even if the lines of the original book or script are broken up by the characters’ reactions, you still can’t reproduce more than a few lines of the original text. If you’d like to post a work in which characters read or watch another work, then we suggest heavily reducing the number and length of your quotes, and/or briefly summarizing the events they’re reacting to instead of quoting directly from the original work.

Songfics with lyrics

Song lyrics are protected by copyright, which means you can’t reproduce large portions of lyrics without permission. This includes both songfics where the lyrics are interspersed throughout the story text and fics with characters singing songs as part of their dialogue. If the part of the song you want to highlight is more than a few lines, we suggest instead linking to a licensed source, such as the artist’s official YouTube channel.

Embedded artwork

Copyright doesn’t just apply to written text, but to all types of creative work regardless of the medium. In order to embed or upload someone else’s images, audio, or videos onto your AO3 account, you must have the original creator’s permission and credit them appropriately.

If you don’t have permission, or don’t know how to credit the original creator, then we suggest instead using HTML or AO3’s Inspired By feature to link directly to the creator’s own original post.

Unauthorized podfics & translations

If you want to podfic or translate someone else’s work, you need their permission to do so. According to United States law, audio recordings and translations are considered derivative, not transformative. AO3 welcomes fan-podficcers and fan-translators. However, your content must comply with U.S. law for us to be able to host it, which means that you must have the permission of the copyright owner in order to post your podfic or translation on AO3.

Infringing on orphaned works

Orphaning a work does not mean the original creator is giving up their copyright, even if their username is no longer displayed on the work. The only thing the original creator did when orphaning their work was agree to transfer that specific copy of their work to AO3’s orphan_account.

Just like with any other work, if you wish to podfic or translate an orphaned work, you will need permission from the original creator. This can come in the form of an author’s note on the work or an additional tag such as Podfic Welcome. If the work contains no such statement, and you don’t know or can’t find the original creator to ask for permission, then you may not podfic or translate the work.

If you plan on orphaning your works and you want to ensure that other users can continue to adapt or translate them, consider adding a permission statement to each of your works before orphaning them.

Posting public domain works

While public domain works are no longer protected by copyright, reposting someone else’s work is not transformative. AO3 is an archive for fanworks and for original works created in a fannish context. Therefore, you cannot upload other people’s public domain works to AO3.

However, as public domain works are not protected by copyright, some types of derivative works (such as your own translation) may be posted on AO3.

I’ve seen others post plagiarized or infringing works. Why can’t I?

As our TOS FAQ explains, we don’t review content until it’s reported to us. You may have seen somebody else posting an unauthorized translation or public domain work on AO3, but that doesn’t mean that it’s allowed. All it means is that nobody has reported that work to us yet, or that we haven’t finished processing the report.

What will happen if I get reported for plagiarism or copyright infringement?

First, we’ll review the reported work and any provided sources to confirm whether or not your work contains plagiarized or infringing material. If we determine that your work is in violation, we’ll send you an email telling you to remove the violating material.

If your work can be edited to fix the issue, you’ll be asked to edit the work. Your work may be hidden from other users until you do. If you choose not to edit the work, or if your work cannot be edited into compliance with the TOS, it will be deleted.

PAC will only ever contact you by email, and only after we’ve determined that your work violates our Terms of Service. We will never comment on your work or contact you through social media. Please make sure to keep your account’s email address up to date and check it regularly (including your spam folder), or else you may miss our warning email.

If you repeatedly post works that violate our copyright and/or plagiarism policies, you may be temporarily suspended. Continuing to violate the TOS will result in you being permanently banned from AO3. You can learn more about warnings and suspensions in our TOS FAQ.

What should I do if I encounter a work that contains plagiarized or infringing material?

You can give the creator a heads up by politely commenting on their work and linking to the TOS FAQ or this post. Alternatively, you can report the work to us.

How do I report a work for plagiarism or copyright infringement?

Although we ask that you do not deliberately seek out violating works to report, if you encounter one while browsing, you can report it using the Policy Questions & Abuse Reports form, which is linked at the bottom of every page on AO3. The copyright owner or their authorized legal representative can also file a DMCA claim, as explained on our DMCA Policy page.

In order for us to uphold a complaint, we need you to provide us with specific information about exactly what was copied and from where. Without these details, we may not be able to action your report.

If the work in question is no longer available online, but you have a copy of the work (such as a PDF), please say so. We may ask you to provide that copy to help us in our investigation.

Please be specific in your report. If you send us a link to an 80,000-word fic and say only “This work rips off mine!” without providing any details (such as a link to your own work), that’s not enough information for us to act on. We will need to email you back asking for more information, and if you don’t provide us with that information, we won’t be able to investigate. If we can’t verify the infringement for ourselves, then we won’t take any action.

Please don’t report more than one user at a time or submit multiple reports about the same user. When reporting multiple works by the same user, please submit only one report with links to each work you’re reporting (correctly matched up with the original source), so that all information about that user is in the same place.

If you give us a link to one work and say “All of their other works look like plagiarism too!” without giving us details about those works or their sources, that isn’t enough information for us to act on those other works. If you give us a jumbled or incomplete list of links, or if you report each work by the same user separately, this makes our volunteers’ work much harder.

For example, a report might look like this:

Link to the page you are reporting: https://archiveofourown.org/works/00000000

Brief summary of Terms of Service violation: Plagiarism

Description of the content you are reporting:
This work by Ernie is plagiarized from Bert’s work, “Fifty Shades of Oatmeal”: https://archiveofourown.org/works/23456789

The entire thing is copied, Ernie just swapped out Elmo’s name for the Count’s and changed some of the colors.

If you are reporting additional works, please include all relevant links and other information in your report description:

Brief summary of Terms of Service violation: Plagiarism and Copyright Infringement

Description of the content you are reporting:
This work by Ernie is plagiarized from Bert’s work, “Fifty Shades of Oatmeal”: https://archiveofourown.org/works/23456789

The entire thing is copied, Ernie just swapped out Elmo’s name for the Count’s and changed some of the colors.

Another of Ernie’s works plagiarizes from Big Bird’s “If You Give a Monster a Cookie”:

Ernie’s work (plagiarism): https://archiveofourown.org/works/34567890
Big Bird took down their fic when they published it as an original story. Here’s a link to the published version: https://www.monstercookiebooks.com/books/9876543210/if-you-give-a-monster-a-cookie

I also have a downloaded copy of the original fic I can give you if you need it.

The plagiarized section is in Ernie’s chapter 2, where it starts at “Every time that Cookie Monster goes to the store, he can’t resist going and picking up more chocolate chip cookies.”

This is plagiarizing chapter 3 of Big Bird’s work, which starts, “Whenever Cookie Monster went to the store, he couldn’t resist buying more chocolate chip cookies.”

The entire rest of the fic is like that, with only minor edits to each sentence. It’s over ten thousand words long!

Finally, this other work contains the full lyrics of “I Love Trash” as sung by Oscar the Grouch: https://archiveofourown.org/works/45678901

Here’s a link to the song on YouTube: https://www.youtube.com/watch?v=zJekxVILnhw

You can add more details if you like, but this example provides the basic information we need:

  • Who posted the violating work(s): Tell us their username or if the work is anonymous or orphaned.
  • Where we can find the violating work(s): Enter one URL in the “Link to the page you are reporting” field, and (if applicable) include links to any other violating works in the description of your report.
  • Where we can find the original source material: Include a link to each original source and tell us what parts of the source were copied, for example by including chapter numbers or quotes from the relevant scenes.
  • What violates the TOS: Explain why you think each work you’re reporting is infringing and match each reported work to its original source. A set of links and a brief description of each work is fine; you don’t need to be very detailed or quote an entire page.

You’ll receive an automatic email confirming that we received your report, and our volunteers will investigate when they get a chance. Please be patient and do not submit another report about the same incident. While PAC investigates every report we receive, it can take several months for us to process a report, and not every report will receive a reply.

What if I have more questions about plagiarism and copyright infringement?

PAC follows a strict confidentiality policy. Therefore, while you are welcome to ask general questions in the comments of this post, we will not give information on specific cases, publicly rule on a work, or update you on the status of a report you have already submitted. Comments on this post that discuss specific works or users will be removed.

If you think you’ve found a plagiarized or infringing work, or if you want to know whether a particular work qualifies as plagiarism and/or copyright infringement, please report the work to us as described above. For more information, you can read our TOS FAQ on Copyright Infringement and Plagiarism.

If you are still uncertain, you can comment below or submit a question through the Policy Questions & Abuse Reports form.

ETA: Edited to improve wording

Archiving Fandom Stuff Analog Style

Jun. 21st, 2025 08:08 pm
abyssal_sylph: Headspace!Basil from OMORI as a Dreamwidth sheep on a purple gradient background. (dreamwidth sheep! basil omori)
[personal profile] abyssal_sylph posting in [community profile] journalsandplanners
So, because of i found my mom's secret fanfiction stash by [youtube.com profile] ColeyDoesThings has made me wanna archive my own fandom stuff analog style (maybe even the fics & art I find beautiful). I'm currently not in a possition to do this project because of lack of cash, sadly. But I'm not sure how to go about it, so I thought of asking here if people had done similar things?

Here are some ideas of my own for now:
  • Printing my fics at my shared housing, and printing my art by my parents' house because they can print in colour.

  • Same for others' fanfics & fanart, but seperate them into a diffrent folder.

  • This might give me the excuse needed to make collages &/or mini-shires? IDK


One of the things I'm not sure how to handle is how to organize the future folders. I thought of doing it by fandom, but my fandoms can change rapitly. And I also thought of doing specific challenges like minifemslashfebs in their own categories (since I'm not doing them on time anyway). The reason I wanna do this besides "I can" is that the comments in Coley's video mention the archiving of this is basically helping archaeology &/or anthropology. Which I think is important and cool/neat, so I wanna do my part.

Recent reading

Jun. 21st, 2025 10:33 am
regshoe: (Reading 1)
[personal profile] regshoe
I have not been brilliantly attentive to my last few books due to the whole 'new obsession' situation, but here they are anyway:

Bagthorpes v. the World by Helen Cresswell (1979). Picked up from a box of random free stuff left outside someone's house to be got rid of. The Bagthorpe saga (this is the fourth of ten books; I correctly guessed it wouldn't be sufficiently continuity-heavy to need reading in order) seems to be basically a wacky 70s sitcom in book form, featuring the adventures of a variously eccentric middle-class English family. In this book financial worries lead them to attempt to become self-sufficient, while they also have to manoeuvre for an inheritance from the eccentric great-aunt and deal with the five-year-old cousin's dedication to her 'death and funerals' phase. It's funny but not brilliant; it made decent enough reading during stressful travelling, which is what I did, but I won't seek out the rest of the series.

King Lear by William Shakespeare (c. 1606). Whenever I watch or read a Shakespeare play I enjoy the brilliant intricacies of language while probably missing about 90% of them, and then decide I'll have to think about it for a bit before forming proper opinions. Perhaps I should have watched a performance before reading; my mother has recommended the film with Laurence Olivier, and I will watch it at some point but see above re. I can only watch one thing at the moment. As it is, I thought the tragic ending was beautiful ('And my poor fool is hanged. No, no, no life!/Why should a dog, a horse, a rat have life/And thou no breath at all? Thou'lt come no more/Never, never, never, never, never.'— ;__; ), and I was interested to read in R. A. Foakes's introduction to the Arden edition that a) while, as usual with Shakespeare's plays, the story of King Lear was a previously existing one which he adapted, his ending is different from that of the previous versions and b) between the late seventeenth and mid-nineteenth centuries virtually all productions used a rewritten/bowdlerised version of the play which replaced Shakespeare's ending with a happier one. Clearly the ending is an important matter! I was also puzzled by a passage where Shakespeare uses the word 'choughs' and Foakes says in a footnote that it means 'jackdaws': the scene is set on the cliffs of Dover so I thought it seemed likely that Shakespeare did mean choughs (Pyrrhocorax pyrrhocorax), but Wikipedia, citing Mark Cocker and Richard Mabey who are probably reliable sources for this sort of thing, agrees that 'chough' formerly meant 'jackdaw' (Coloeus monedula). But that's also puzzling because I have heard both birds and it seems to me obvious that 'chough' is better onomatopoeia for P. pyrrhocorax and 'jack' for C. monedula. Hmmm.

Metal from Heaven by August Clarke (2024). Set in a world undergoing a fantasy Industrial Revolution based on ichorite, a mysterious substance which causes a mysterious disease in the children of people who work with it; our narrator Marney Honeycutt (which rather inappropriately reminded me of Lucy Honeychurch) is one of the first to be afflicted, and also her entire family were massacred when the owner of the factory where they worked decided to put down a strike the really thorough way when Marney was twelve. She escapes and ends up being adopted by a gang of bandits who've made themselves an amazing socialist bandit paradise by murdering a local aristocratic ruler, pretending to all the other aristocrats that he's just really reclusive and taking over his house and land; meanwhile Marney plots how she's going to get revenge on that factory owner. Also, almost everyone is a lesbian. I thought various parts of the plot probably wouldn't stand up to thorough scrutiny, and there were some seriously questionable decisions made (e.g., if your entire plan for the future of your bandit paradise depends on the continued survival of one person, I think you can not let her go out on highly dangerous bandit raids, actually); I found the language often careless and sometimes jarringly modern for the fantasy Industrial Revolution; most of the sex scenes made no emotional sense to me (I don't want to overstate this as a flaw, I'm sure it was important and meaningful for the author and for the right kind of readers, but I was not one of them). However, I did like the book on the whole, and I think it's very good, largely for two reasons: 1) the worldbuilding is thoughtful and really interesting, especially in portraying a range of different religions, views of the world, naming systems and concepts of sexuality and gender, and in how these things vary by class; and in the eventual discovery of what ichorite really is; and 2) it is absolutely committed to being exactly what Clarke wants it to be, no holding back at all, and I respect them for that. Also the way it's narrated, with Marney speaking in first person to a specific other character, is great and used to good effect, and the ending is weird and amazing. I did guess the first big twist as soon as we found out the relevant backstory fact about the character in question, but I had no idea what was coming next.

I've just collected a 600 page book on the history of ballet from the library, so that's something more relevant to read next.

My 2025 Summer Anime Season Preview

Jun. 20th, 2025 08:13 am
lee_bella: (Default)
[personal profile] lee_bella posting in [community profile] anime_manga
Reposting from my DW blog.

Summer solstice is almost here, which means a new anime season is about to start. This is the most stacked summer anime season I've ever seen, with at least 60 series airing this season. We have high profile sequels (Dandadan, Sono Bisque Doll wa Koi wo Suru, Jibaku Shounen Hanako-kun, Kaijuu 8-gou), reboots of old classic (Jigoku Sensei Nube, Cat's♥Eye), horror (Hikaru ga Shinda Natsu), an all new KyoAni series (City the Animation), a potential big hit (Gachiakuta), etc. Strangely enough, there are four series this season that will only run for 4 to 6 episodes (because the source manga are only one to two volumes long).

As usual, I'm only previewing the series I'm interested in. For a full list of series airing in the summer, see AniChart.

My 2025 Summer Anime Season Preview. )

What will you be watching this summer? Old series? New series?

Follow Friday 6-20-25

Jun. 20th, 2025 12:10 am
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith posting in [community profile] followfriday
Got any Follow Friday-related posts to share this week? Comment here with the link(s).

Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die".

[Sale Promotion] Stuff Your Kindle

Jun. 20th, 2025 12:26 am
quillpunk: a sun setting over a snowy ground (winter)
[personal profile] quillpunk posting in [community profile] booknook
it is once more stuff your kindle day! https://www.romancebookworms.com/kindle

(https://www.romancebookworms.com: If you prefer to read ebooks on another platform, we have pages for some of the same free deals at the following retailers as well: Google Play, Apple Books, Barnes & Noble Nook, or Kobo.)

Eligibility & Nominations Post 2025

Jun. 19th, 2025 09:52 pm
tentaclemod: (Default)
[personal profile] tentaclemod posting in [community profile] raremaleslashex
Nominations are now open. Please read this post before you go and nominate!


Eligibility


Eligibility criteria are that relationships need to:
  • be a / ship involving male characters only
  • have no more than 200 fics on AO3 - this includes only complete works of at least 1000 words in English (using "otp:true")

A full list of the exchange rules can be found here.


Clarifications


If there's a possibility of confusion regarding a ship of fandom you wish to nominate, please comment on this post to clarify before you nominate.

This will hopefully cut down on queries during the nomination period so that approvals can be made more quickly. However, please bear in mind that checks are time-consuming and nominations are displayed to mods in a random unsortable order so most approvals won't be instantaneous!

Reasons to comment here may include:
  • difficulty of locating information on a character's canonical gender
  • your ship seems to be over the number limit even after applying search filters but is actually under it
  • the fandom you wish to nominate is "All Media Types" or "& Related Fandoms" and this is the most fitting, specific tag
  • the fandom is canonized weirdly on AO3 and you do not want to nominate that version for reasons
  • anything else you wish to make me aware of!

Please do not comment if your ship has over 200 fics before filters but drops under 200 with them; we will be checking numbers using the appropriate search filters.

As a minimum, please let us know:
  1. the fandom and ship(s)
  2. an outline of the issue
  3. your view why the fandom or ship(s) should be approved

Feel free to include as much additional info as you feel is necessary! Too little information is worse than too much =)


Checking your ship's numbers )


The tag set will close for nominations at 20:00 UTC on Sunday June 29. View the countdown here.

Please bear in mind that numbers checks are time-consuming and nominations are displayed to mods in a random unsortable order. Most approvals won't be instantaneous and are unlikely to be in the order submitted!

Please read the instructions before you nominate.



Guidelines and notes under the cut. )

If you wish to provide any information on the eligibility of your ship (re number of works after search filters, canonical gender, etc.), feel free to do so here!

If any nominations require clarification, I'll ask questions in a separate post.

If you have any questions, feel free to ask them here or email [email protected]. Anon commenting is on.

Now go forth and nominate!
regshoe: Geneviève slides along the floor of a big, grand room, a gleeful smile on her face and a shoe held up in her hand (Sock slide!)
[personal profile] regshoe
I would like to write something properly long and plotty for Tobias/Gabin, but that'll have to wait until I've thought of a plot and got more of a handle on characterisation. In the meantime:

It’s not just where you lay your head (719 words) by regshoe
Chapters: 1/1
Fandom: Étoile (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Tobias Bell/Gabin Roux
Characters: Gabin Roux, Tobias Bell
Additional Tags: Fluff, Pillow Talk
Summary:

Tobias finally finds a satisfactory Parisian pillow.



I've been enjoying reading through the tag, so have some fic recs:

Some fic recs )

I've also been listening to the soundtrack via the very helpful official Spotify playlist. It's a great variety and lots of fun! Here are some of my favourites of the songs:

And some music )
osprey_archer: (books)
[personal profile] osprey_archer
Joan Aiken’s pacing may have bobbled in some of her later books, but it’s full speed ahead in The Witch of Clatteringshaws, which she raced to get done with the literal deadline of her own encroaching demise.

She has a lot of loose ends to wrap up in this book, chief among them the question of who will be the next King of England. Simon is currently saddled with the job, but he doesn’t want it, because all he wants to do is live a quiet life communing with animals and painting, and also he would like to marry Dido who has very definitively stated that she is unwilling to be queen.

It’s not entirely clear to me if she’d like to marry Simon, but she’s a good bro who doesn’t want to see Simon stuck on the throne, so she heads off to the north to chase up the only lead they’ve got on a possible alternative king. Apparently there’s an Aelfric somewhere up in Caledonia with a claim to the throne?

Spoilers: we never find Aelfric. From beginning to end we have no idea who this man is. Like the thought speech, which was so important in the Is books and never appears again, this one of many loose ends Joan has decided she doesn’t have time to bother with. As she finished this book a scant four months before her death, that’s fair enough.

Instead, Dido finds a Dickensian old person’s home (and let’s pause to admire Aiken’s breadth of Dickensian vision: Dickensian orphanages, Dickensian schools, Dickensian mines, apparently Dickensian mills in Midnight Is a Place which we haven’t read yet, and now Dickensian retirement homes). And at this home there is a boy, an orphan foundling who has been raised as a drudge, even though he arrived at the door wrapped in a cloth emblazoned with a golden crown…

Spoilers )

Community Thursday

Jun. 19th, 2025 07:39 am
vriddy: christmas gnome (gnome)
[personal profile] vriddy

Community Thursday challenge: every Thursday, try to make an effort to engage with a community on Dreamwidth, whether that's posting, commenting, promoting, etc.


Over the last week...

Vigilantes chit-chat on [community profile] bnha_fans.

Commented on [community profile] summerofthe69.

Commented on [community profile] newcomers.

Commented on [community profile] common_nature.

Promoted [site community profile] dw_maintenance, [community profile] style_system in various comments.

Signal boost:

  • Via [site community profile] dw_community_promo, massive blast from the past but someone started a [community profile] monkeyisland community :D

  • Sign-ups are open for the 7TH ROUND of [community profile] comment_bingo! :D "the goal is to have more fun and have an excuse to leave feedback! It is a Bingo community that involves commenting on other people's works based on the prompts provided, rather than creating your own."

pauraque: bird flying over the trans flag (trans pride)
[personal profile] pauraque
"There are thousands of physical females who feel themselves to be men and have the mental traits of men, and there are thousands of physical males who feel themselves to be women and have the mental traits of a woman. Should any blame be attached to such individuals when they conduct themselves according to their psychical [i.e. mental] sex?"
This is a pseudonymous autobiography by an American writer sometimes known as Jennie June, and sometimes as Earl Lind, Raphael Werther, or Ralph Werther (none of which were legal names). It describes June's experiences as an AMAB person who felt like a woman, had relationships with men, and eventually had a gender-affirming orchiectomy. The book advocates for kindness towards queer and gender-nonconforming people (or at least the sorts June approved of) and the repeal of sodomy laws. It was published under the imprint of the New York Medico-Legal Journal and its sale was restricted to "members of the learned professions" as June had been unable to find a publisher who would market it to a general readership, so it's framed as a sort of self-narrated medical case study.

I haven't read a lot of queer books of this era and I probably won't make a habit of it, but this was an interesting look at what people were thinking and experiencing not all that long before modern Western conceptions of trans identity and gender transition started to take shape.

I'm going to use he/him pronouns for June because that's how he referred to himself in his writing.

Cut for length and content (hate crimes, sexual abuse and assault, suicide, period-typical social attitudes) )

The Autobiography of an Androgyne is in the public domain, so you can read it on Project Gutenberg or on the Internet Archive if you like.

RIP (Read In Progress) Wednesday

Jun. 18th, 2025 08:57 pm
spiralsheep: Sheep wearing an eyepatch (Default)
[personal profile] spiralsheep posting in [community profile] booknook
What are you reading?
OSZAR »